Lead Visual Designer
San Francisco
Currently @Creatify AI

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Humanish: the Class of 2025 exhibition

The identity for the Class of 2025 Interaction Design exhibition at California College of the Arts: the graduating class's final show, twenty-one designers, one night at 145 Hooper Street.
The Humanish poster
The class shoot
The two Humanish banners: the wordmark with the class, and Class of 2025
The poster on the wall at CCA
Abed holding the poster

Design

  • Brand identity
  • Poster and social
  • Photo treatment

For

  • CCA Interaction Design
  • Class of 2025

The brief

Human, with a little bit of machine.

By our senior year, AI had gone from a headline to something we used every day. Our class wanted the show to say something about that moment: that the future still needs human designers, people who can harness the power of technology instead of being replaced by it.

That became the name. Humanish: human, with a little bit of machine in it. My job was to make that feel like something you could see.

The idea

Seen the way a machine sees us.

When AI looks at a camera feed, it draws a box around each person and attaches a label. I borrowed that exact gesture: every senior gets their own box, tagged with their first name. It is the most literal picture of being seen by a machine, and it is also just a class photo.

An object-detection model labeling everything in a studio: people, a phone, laptops, chairs, cups

The reference: a detection model boxing and labeling a camera feed, from my Wahaj tests.

Exploration

Lots of directions before the frame.

Before landing on the detection frame, I pushed the name in a lot of directions: big stacked type, neon yellow, pink serif lists of names, a chat bubble, a black poster. Read left to right, top to bottom, it is roughly the order in which they happened, ending with the first layout that used the frames.

Exploration: stacked HU-MA-N-ISH in lime
Exploration: pink serif with names
Exploration: yellow and black with names
Exploration: chat bubble wordmark over a grid of portraits
Exploration: black poster with frames
Exploration: the first detection-frame layout

The shoot

Twenty-one portraits, one treatment.

We all took portraits against the same gray wall, each of us striking a pose. Then I edited every one: cut out, black and white, halftoned and grainy like a CCTV feed, until twenty-one different photos read as one image.

Portrait shoot
Portrait shoot
Portrait shoot
Portrait shoot
All twenty-one portraits, straight from the shoot
The same portraits cut out, stacked and halftoned

Before and after: the raw portraits, and the same class as one halftoned crowd.

The poster

Every face, boxed and labeled.

The frames go over the crowd, each with a name tag in its own color. The wordmark does the same thing in type: a plain, confident sans for "Human", then a soft italic serif for "ish", sitting inside its own detection box.

The final Humanish poster

Across formats

One system, from phone screens to banners.

I applied the system across digital and print: stories, the email announcement and two banners that hung across the show space. The show details move around, but the faces and the frames stay constant.

Story format, details on top
Story format, details at the bottom
The email announcement
Humanish banner: wordmark and the class
Humanish banner: the class and Class of 2025

At the show

Bingo cards and big faces.

To get people through every project, we made a bingo card: one square per senior, and visitors got each designer to sign theirs. One small scribble for you, one giant ego boost for us. The posters went up around campus in the weeks before.

Bingoish card with a square for every senior
The poster on the wall at CCA
Abed holding the printed poster